Friday, 27 June 2008

Britney Spears - Spears Federline Avoid Meeting During Las Vegas Trip


Divorced couple Britney Spears and Kevin Federline were both in Las Vegas this week but held separate celebrations on their night out.

The pair, who recently finalised their seperation, partied at different venues and did not make plans to meet. Federline, 30, made his way to two hotspots Strip House and Prive Las Vegas before heading home at 03:00 local time, whereas Spears relaxed at the Cinevegas party at Palms Place.

However, the weekend turned out to be a special one for rapper Federline as he picked up an award for his parenting skills. He received the Father of the Year award during a quiet ceremony that was held in the venue's back kitchen.

The professional dancer had asked the venue to present him with the prize in private so as to avoid the glare of the photographers. Meanwhile, Spears spent time with her father Jamie and his business associates in a relaxed weekend by the pool and over dinner.

Spears and Federline filed for divorce after two years of marriage, citing irreconcilable differences.

The couple were then engaged in a bitter battle for custody of their two children, a time during which Spears' health went from bad to worse with her having to be hospitalised and needing to attend parenting sessions.


15/06/2008 13:17:07





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Sunday, 22 June 2008

Tagaran

Tagaran   
Artist: Tagaran

   Genre(s): 
Other
   



Discography:


Duhovna Muzika Jermenije   
 Duhovna Muzika Jermenije

   Year: 1990   
Tracks: 18




 






Saturday, 14 June 2008

Nas Unveils Spike Lee-Inspired Video, Cover Of Controversial New Album




NEW YORK — Nas was a walking pull quote Thursday night as he stood in front of journalists and bloggers at the Tribeca Grand Hotel.

"I ain't Farrakhan or Chuck D," he said about the message on his new album. "I'm just a Queensbridge n---a that got rich. ... I love pissing people off and stirring up stupid mutha----as."

Nas invited the media and others to see the world premiere of his video for "Be a Nigger Too." The clip was directed by Rik Cordero, who's earned a name for himself helming clips for Ghostface Killah, Beanie Sigel, Styles P and other MCs on shoestring budgets.

"Nas offends no one by offending everyone," Cordero said, addressing the crowd in the small auditorium. He revealed that much of the imagery in the video — such as Nas talking to himself and rapping in front of a mirror — was inspired by Spike Lee's film "25th Hour." The clip shows how the racist behaviors of yesteryear correlate to modern-day prejudices. The video concludes with a slave getting lynched.

Actors Andre Royo and Gbenga Akinnagbe from HBO's "The Wire," John Cho from "Harold and Kumar Go to White Castle," and the outspoken Danny Hoch all make cameos. "They heard the song and were supportive of what we do," the director said.

Nas is satisfied with the video just being a part of his viral campaign, but he's optimistic that MTV will play an edited version. He said the video could hit airwaves "if MTV is open-minded and understands this is music. ... They had pretty wild stuff through their history. I think they know how to edit that."

Nas recently had to drop the planned album name of Nigger for his July 1 opus due to political pressure. Instead, it will be untitled. He said that when Al Sharpton released a statement in the wake of the name drop and claimed partial responsibility for it, it was a false victory.

"This record is about how the older generation looks down on us. ... There's a crew of older black people, [they're] on their way out and we're on our way up," Nas said. "It looks like hip-hop n---as is about to make that Oprah money, and that's scary to them."

The Queensbridge General also railed about some black leaders extorting the record companies through political pressure. "Them n---as is old. The only way they make money is off our sh--." He said that he was told by many people that naming his album Nigger was "career suicide" — and he liked that.

"I take a lot of chances with the music," he explained with a grin. "At this point, if you're not taking chances, putting your career on the line, it ain't fun no more."

He also alluded to the statement his album's artwork makes. "The cover speaks for itself," he declared. "It says 'nigger' real loud." The album cover, which was leaked to the Net, shows Nas' back severely scarred by what seem to be whip lashings, with the horrific scars forming the letter N.


Earlier this month, while talking to MTV News, Nas said the Dr. Pepper-jingle feel of "Be a Nigger Too" was inspired by an interlude on N.W.A's Efil4zaggin LP. He also said he doesn't think the lyrics, which are filled with racial slurs, will bring the same type of backlash that befell Michael Jackson almost two decades ago when the King of Pop dropped "They Don't Care About Us."

"I think that, fortunately for hip-hop artists, we don't stand under the microscope like Michael Jackson, the pop star," he analyzed. "Rappers, hip-hop artists are known to be edgy, crazy, real blunt with it. I think people expect for hip-hop to be crazy like that. With Michael Jackson, no one expected for him to come out with something where he was just giving you a piece of himself, no matter how nobody took it. The same way he wasn't trying to be mean to anybody is the same way I'm not trying to be mean to anybody. I think he caught the worst end of the stick. ... This is hip-hop music, and Jews rock with Nas. Asians rock with Nas. Italians rock with Nas. I'm here to speak my mind. If you can't respect that, you're part of the problem."






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Sunday, 1 June 2008

The Bucket List - 6/10/2008

There will likely be people out there who will like The Bucket List. They will like its easy-to-follow premise, the hollow and overplayed jokes that occasionally come rumbling along, and the AARP-approved folksiness. And they'll really like Jack Nicholson, mugging for the camera as though terrified people will forget that he's still that same devilish old scamp he's been for longer than most moviegoers have been alive. This is not to say that the reason The Bucket List is a terrible film is because there are so many people out there predisposed to liking it. The Bucket List is a terrible film because it's thinly-conceived and even more thinly-executed faux serenity for the masses whose overbearing sentimentality trivializes death in a manner that's truly disturbing, even for Hollywood. But it will find its audience -- many terrible films do.



The conceit behind Justin Zackham's cloying script is a sort of retiree meet-cute: Stick two old guys from completely different backgrounds with utterly opposite points of view in the same hotel room, tell them both they've got terminal diseases that will kill them in a number of months, and then watch them try desperately to do everything in life they've never gotten around to. Make one of those old guys Nicholson and the other Morgan Freeman, add in a director like Rob Reiner who's shown himself in the past to possess both a sense of humor and compassion, and it would seem that the producers would have on their hands a film sure to please nearly everybody: raunchy camaraderie mixed in with earthy wisdom that stares death in the face and dares to crack a smile. Needless to say, that isn't the case here.



Freeman plays by far the more interesting of the two men: Carter Chambers, a lifelong mechanic and family man who also happens to be a fearsomely learned autodidact. Stoic and distant from his loving family, he's the kind of guy who's too gentlemanly to bother the hospital staff busy attending to his roommate. Nicholson plays Edward Cole, who's a favorite sort of Hollywood villain, a soullessly money-grubbing social-climber of a billionaire who cares more for his elaborate coffeemaker setup than actual human beings (in other words: probably not so different from many of the guys running movie studios). Neither actor is ultimately able to escape type -- Freeman is noble but flawed, Nicholson rascally and venal -- though for some of the film's early stretches they do at least seem to be trying; they are movie stars for a reason, after all.



If there's a point to be made in The Bucket List's favor, it's that it doesn't unnecessarily rush. To their credit, the filmmakers spend a good amount of time just with Chambers and Cole in that small hospital room, letting the odd couple warm up to each other. That way, once Cole decides that the two have to take Chambers' bucket list (an old classroom exercise to list all the things one wants to do in life) and start dashing around the world crossing things off, as horrible as the film becomes, at least you can believe these two very different men could actually stand each other's company.



Once the film gets seriously into its globe-trotting adventure segments (the Himalayas, the Taj Mahal) and extreme buddy bonding (racing cars, sky diving), it quickly starts to look less like a film than a series of travel ads targeted at active seniors. The primary difference is that most commercials wouldn't be so clearly studio-shot as this film is, with some astonishingly clumsy-looking backgrounds straining to look like a lush Mediterranean beach or the African savannah.



After the Cole-funded race around the globe, the inevitable catches up with our fair actors, and once that happens, it's a quick slide from mediocre fun-having into schlocky tear-wrangling of the worst kind, as though the filmmakers were trying to cram the worst of Hollywood into one picture. If so, they've succeeded.







Find the writer immediately.

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